Monday, May 17, 2010


Για όσους ενδιαφέρονται να διαβάσουν αγγλική λογοτεχνία με κουλτούρα και στοιχεία Κύπριου συγγραφέα, το βιβλίο μου πωλείται τώρα σε όλα τα μεγάλα βιβλιοπωλεία της Κύπρου.  Ζητήστε το με τίτλο ή όνομα συγγραφέα. Σταδιακά θα διανεμηθεί και σε μικρότερης εμβέλειας βιβλιοπωλεία.  Επίσης για τους φοιτητές του Πανεπιστημίου Κύπρου σημειώνω ότι το βιβλίο έχει stand στο κατάστημα Φωτοτυπιών Αντωνίου πάνω στην Καλλιπόλεως.

Wednesday, May 12, 2010

A well-preserved cell

Those iron bars were the worst image this man could endure for his psychology. “Get me out of here!” have his repeated words been for three weeks now. Endure everything in the prison was not an issue for him. It was the bars. 5 centimetres thick bars, 2 ½ metres high, one metre higher than his head.



The guard entered and told hid coldly: “You should stop complaining, dude! You are not going anywhere! Nobody is waiting for you out there!” The intensity of this comment made some of the words or syllables escape from the small window to the yard where the others were playing football.


“compl…”


“not”


“nobody”


“out”


All the open vowels opened up in audio circles around the pitch, around the ball, around the bodies of the men, around their heads, and inside their ears. But they knew already what was going on at that height of the building, on that side.


“Get me out of here!” was all this man could exchange in dialogue with anybody. As if he was a beast, a gorilla in captivity roaming and grapping on the bars and hitting on his chest. Saliva dripping from the sides of his lips, some dried on his chin, a sign of madness? Uncontrollable fury? Surrendering to the inevitability of captivity?


“Get me out of here!” was sometimes so intense that it would scare all the other inmates to death, as if they themselves did not share the same need for escape from all this psychedelia.


The guard was scared sometimes, too. Struck by the sparkled piercing of his eyes. Dumbfounded by the squeezing of the madman’s nostrils to gather up as much pressure as possible before every next shout.


The jail is madness. It is the idea of madness and the ideal place for engaging in sheer, deliberate, guided lunacy in escapade. In every corner of the building, on every tile, from outside and inside, yard, chambers and cells, riding every sun ray entering from the tiny windows, there comes a schizophrenic hint of misfortune. Passionate urge, pain, fear, anguish, intense bullying, cries, regrets. Insane sounds. Strong, weak, trembling voices, stentorian voices, tragic cries.


But his cry was the mightiest of all cries. “Get me out of here!”


Thameson doesn’t belong in this prison. He does not belong in any enclosure to that matter. He is the least lunatic and the least criminal of all. He knows how innocent he is. His guard tells him he is wrong, that he is guilty but he doesn’t know. His inmates laugh at him. They show him his scars and tell him that no innocent people have scars on their faces! Let alone his crooked nose!


“If I see you with a knife in your hands, will you tell me you are going to the kitchen? Hahahahaha!!!” a tall Chinese man asked him.


Then Asafa added playfully, “if I let my soap fall on the floor in the bath, will you say, ‘oh, he is straight?’”


And everybody laughed and hit their spoons on the table and then continued eagerly to manage to eat their meat with these hateful tools.


He was ashamed to shout “Get me out of here!” when he wasn’t behind bars, because it wouldn’t make sense to the rest. So he shouted inside his skull with every strong bite of the meat. He shouted with his eyes because it would make sense to him, as it wasn’t his cell that bothered him, but the whole idea of jail. Imprisoned for no reason at all. Foucault came to his sleep sometimes and talked to him.






End of part one

Sunday, May 09, 2010

another book

Harry Potter and the Sorcerer's Stone (Harry Potter, #1) Harry Potter and the Sorcerer's Stone by J.K. Rowling





Reading this book I learned that the British might have an attitude, but they might as well do, as they have a mighty say



View all my reviews >>

Thursday, April 22, 2010

please preview...and then review

Check on your left.  Please preview... and then review...
on Amazon (requires account creation), or... click here:
http://search.barnesandnoble.com/Throwing-Dice-on-a-Chessboard/Christos-Rodoulla-Tsiailis/e/9781449081119/?itm=1&USRI=throwing+dice+on+a+chessboard

Παρακαλώ τους φίλους αναγνώστες να δουν μέρος του βιβλίου στα αριστερά... μετά να γράψουν το σχόλιο τους κάνοντας click στον πάνω σύνδεσμο ή στο Amazon (εκεί ζητάει να φτιάξεις account)

Ένα βιβλίο χρειάζεται reviews για να ανεβαίνει στη λίστα και να φαίνεται πιο μπροστά στα διαδικτυακά βιβλιοπωλεία.  Επίσης οι υποψήφιοι αγοραστές θέλουν να δουν reviews (σχόλια από άλλους αναγνώστες) για να νιώσουν εμπιστοσύνη και να αγοράσουν το βιβλίο.
Σας ευχαριστώ για τη βοήθεια.

Τελευταία Υπενθύμιση - Last Reminder

THE MEDITERRANEAN WRITERS GROUP


SPRING WRITERS’ RETREAT

KAKOPETRIA,CYPRUS, 30 April-2 May 2010







The Mediterranean Writers Group is hosting a writers’ retreat at the Makris Hotel & Linos Inn in Kakopetria, Cyprus, in the Troodos mountain region on the Klarios River, for the weekend of 30 April – 2 May 2010 with the aim of allowing serious writers of fiction, poetry, and other forms of creative writing the opportunity to have the time and space to focus on their craft, share their work with other serious writers, and to soak up the natural environment of the region. Our theme will be “Beginnings.”



This 3-day mini-retreat combines creative writing workshops with readings, a publishing practicum, book swaps, and structured activities like nature walks and guided conversations related to their work. Of course, the retreat is also about having time away from the pressures of daily life to write in peace and solitude. Specialists in fiction, poetry, and drama will be on site to run workshops, offer advice, and provide guidance. The retreat is open to writers of all levels, and costs €110,00 total.



The deadline to register is Friday, 23 April 2010. (Late registrations accepted.)



¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬-__________________________________________________________________________________





Schedule of Activities



FRIDAY: 30 APRIL 2010



6:30 p.m. – 8:30 p.m. Creative Writing Workshop (fiction & poetry). Beginnings. Strategies for warming up, getting the writing flowing, and for sustaining starts. The focus will be on pre-writing to write, how to set the stage for a poem or short story before the writing begins. Dinner afterwards at local taverna. (Linos Inn, Old Town).



10 p.m. Writing Time. This evening is set aside for participants to complete short, assigned exercises in fiction & poetry in the solitude of the mountain night. (Makris Hotel)



SATURDAY : 1 MAY 2010



9:30 a.m. to 11:30 a.m. Creative Writing Workshop (fiction). This workshop allows fiction writers the opportunity to try out new ways of approaching their craft, including exercises in tactile response to objects, sense-focus, and interaction with other media (photography, film, visual arts). Conducted by Maria Ioannou. (Linos Inn, Old Town).



11:30 a.m. to 12:30 p.m. Book Swap. Participants will introduce & exchange books with each other, free of charge, as a means to both expanding their libraries and sharing what they have learned. Poetry, fiction, literary biography, and critical books all welcome. (Linos Inn, Old Town).



12:30 – 3 p.m. Madaris Nature Walk & Picnic Lunch at a remote mountaintop Fire Lookout Station. (Meet at cars at Makris Hotel 12:45.)



3 p.m. – 5:30 p.m. Creative Writing Workshop (fiction & poetry). Focus on beginning: how to find narrator, character, and speaker voices. This workshop will allow poets & fiction writers a chance to try out new ways of approaching their beginnings. Thematic in-course writing, prose poetry, narrative, lyric, and longer forms of poetry all will be part of the practice work we do. (Linos Inn, Old Town).



8 p.m. Writing Time. The evening is set aside for undisturbed quiet time writing, with only one rule: that no participant contact another during this period, and that mobile phones remain switched off. Each writer will be given an individually tailored exercise to work on over the evening, for presentation the next afternoon. (Makris Hotel).



SUNDAY : 2 MAY 2010



9:30 a.m. – 11:00 a.m. Fresh Start Workshop. This workshop throws writers into unfamiliar territory, asking them to write on topics and in forms / modes they have never written in before. Fictional autobiography, non-fiction poetry, and a range of other cross-forms will be set up as experiments to follow. (Linos Inn, Old Town).



11:15 a.m.–12:45 p.m. Drama Workshop. This workshop provides hands-on advice and practical exercises on the techniques dramatists use to start plays in the theatre. Focused on dramatic beginnings, and using set-piece examples, it helps writers find the openings they need—with an eye on other genres particularly. Conducted by Ellada Evangelou, of The Rooftop Theatre Company. (Linos Inn, Old Town).



12:45 p.m. – 1:30 p.m. Publishing Practicum. This brings writers and editors with experience publishing their work together to share practical advice on how to get creative work published in Cyprus and the Mediterranean more broadly. Conducted by Christos Rodoullas Tsiailis, Author of Throwing Dice on a Chessboard & Erato Ioannou, Author of Cats Have it All. (Linos Inn, Old Town).



1:30 p.m. to 3 p.m. Lunch at local taverna



3 p.m. - 5 p.m. Guided Conversation/ Response Workshop. This period is reserved for free and open discussion of the writing participants have done during the previous two days, guided by a set of topics to help the writers evaluate their own and others’ progress. (Linos Inn, Old Town).





__________________________________________________________________________________





Registration Information



Makris Hotel room charge: €60,00 per person (includes Fri & Sat night & breakfasts)

Facilities fee: €15,00 per person

Coordinator fee: €35,00 per person

Total: €110,00



2-day options (Sat & Sun only) are also available, at €80,00. All payments due upon arrival.



To register by Friday 23 April 2010 contact Dr. Spurgeon Thompson, 1 28th Oktovriou Street, 4680 Agros, Cyprus, email: spurgeonthompson1@yahoo.co.uk, or phone +357, 99804970. Late registrations accepted, but will not guarantee accommodation at the Makris Hotel, given the 1st of May holiday.

Tuesday, April 20, 2010

Fiction

Fiction begins, describes and ends worlds




Fiction bares, delivers, outlives and buries Man


Fiction destroys, Fiction builds






What is a lie is no Fiction but what is fictitious is a lie – or the Truth?






Fictions kisses Reality on the cheek for thirty argyrols


People rely on Fiction for short-term worlds to escape


Perplexity secretes Fiction eczema to renounce travesty


Vision paints the amphilvistroid in Fiction to become square






Horse: No Fiction


Pig: No Fiction


Chicken : No Fiction


Fiction: Horse-pig chicken on wheels painting a barn.

Monday, March 29, 2010

THE MEDITERRANEAN WRITERS GROUP


SPRING WRITERS’ RETREAT

KAKOPETRIA,CYPRUS, 30 April-2 May 2010







The Mediterranean Writers Group is hosting a writers’ retreat at the Makris Hotel in Kakopetria, Cyprus, in the Troodos mountain region on the Klarios River, for the weekend of 30 April – 2 May 2010 with the aim of allowing serious writers of fiction, poetry, and other forms of creative writing the opportunity to have the time and space to focus on their craft, share their work with other serious writers, and to soak up the natural environment of the region. Our theme will be “Beginnings.”



This 3-day mini-retreat combines creative writing workshops with readings, a publishing practicum, book swaps, and structured activities like nature walks and guided conversations related to their work. Of course, the retreat is also about having time away from the pressures of daily life to write in peace and solitude. Specialists in fiction, poetry, and drama will be on site to run workshops, offer advice, and provide guidance. The retreat is open to writers of all levels, and costs €110,00 total.



The deadline to register is Friday, 23 April 2010.



¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬-__________________________________________________________________________________





Schedule of Activities



FRIDAY: 30 APRIL 2010



6:30 p.m. – 8:30 p.m. Creative Writing Workshop (fiction & poetry). Beginnings. Strategies for warming up, getting the writing flowing, and for sustaining starts. The focus will be on pre-writing to write, how to set the stage for a poem or short story before the writing begins. Dinner afterwards at local taverna.



10 p.m. Writing Time. This evening is set aside for participants to complete short, assigned exercises in fiction & poetry in the solitude of the mountain night.



SATURDAY : 1 MAY 2010



9:30 a.m. to 11:30 a.m. Creative Writing Workshop (fiction). This workshop allows fiction writers the opportunity to try out new ways of approaching their craft, including exercises in tactile response to objects, sense-focus, and interaction with other media (photography, film, visual arts). Conducted by Maria Ioannou.



11:30 a.m. to 12:30 p.m. Book Swap. Participants will introduce & exchange books with each other, free of charge, as a means to both expanding their libraries and sharing what they have learned. Poetry, fiction, literary biography, and critical books all welcome.



12:30 – 3 p.m. Madaris Nature Walk & Picnic Lunch at a remote mountaintop Fire Lookout Station.



3 p.m. – 5:30 p.m. Creative Writing Workshop (fiction & poetry). Focus on beginning: how to find narrator, character, and speaker voices. This workshop will allow poets & fiction writers a chance to try out new ways of approaching their beginnings. Thematic in-course writing, prose poetry, narrative, lyric, and longer forms of poetry all will be part of the practice work we do.



8 p.m. Writing Time. The evening is set aside for undisturbed quiet time writing, with only one rule: that no participant contact another during this period, and that mobile phones remain switched off. Each writer will be given a individually tailored exercise to work on over the evening, for presentation the next afternoon.



SUNDAY : 2 MAY 2010



10 a.m. - 12 p.m. Fresh Start Workshop. This workshop throws writers into unfamiliar territory, asking them to write on topics and in forms / modes they have never written in before. Fictional autobiography, non-fiction poetry, and a range of other cross-forms will be set up as experiments to follow.



12 p.m. – 1:30 p.m. Publishing Practicum. This brings writers and editors with experience publishing their work together to share practical advice on how to get creative work published in Cyprus and the Mediterranean more broadly. Conducted by Christos Rodoullas Tsiailis.



1:30 p.m. to 3 p.m. Lunch at local taverna



3 p.m. - 5 p.m. Guided Conversation/ Response Workshop. This period is reserved for free and open discussion of the writing participants have done during the previous two days, guided by a set of topics to help the writers evaluate their own and others’ progress.





__________________________________________________________________________________





Registration Information



Makris Hotel room charge: €60,00 per person (includes Fri & Sat night & breakfasts)

Facilities fee: €15,00 per person

Coordinator fee: €35,00 per person

Total: €110,00



2-day options (Sat & Sun only) are also available, at €80,00. All payments due upon arrival.



To register by Friday 23 April 2010 contact Dr. Spurgeon Thompson, 1 28th Oktovriou Street, 4680 Agros, Cyprus, email: spurgeonthompson1@yahoo.co.uk, or phone +357, 99804970. Late registrations accepted, but will not guarantee accommodation at the Makris Hotel, given the 1st of May holiday.

Monday, March 01, 2010

I wrote this one yesterday at fiction workshop (remember, i also ran a marathon in the morning, so excuse any spelling or idea mistakes!)



(workshops directed by Mr Spurgeon Thompson)
 
 
The Lollipop



I am asleep. Deep, deeper, more sunken than any other nights.


My open eye is making the sheets,


snore by snore, body so exhausted


the eye works so slowly that I am left white






The carpet in the room stands up billowing dust


a boy appears behind and throws it out in the pool.


I get up stark naked, hands over jewels, and I see him, full.


“I have a lollipop to replace the carpet” he says






He is cute, I’m mad, reminiscence of Da Vinci’s quests.


“Can I tell you your secrets?” he asks


I say he would have no clue, no rhyme


Boy in fury starts unraveling this ball of yarn






“Hold the lollipop!” I start licking just to hear about


the day I last peed in my bed


how I made my father laugh when she died


the fastidious lollipop she gave me the night she passed away






Just as both my eyes tackle the sheets


he jumps off the window into the pool


to land flat on the carpet


as he departs I still hear him shout my secrets in the distance






“You cheated from my test and I got busted!”


“the bike you lent me is still in my dad’s garage!”


“your father was screwing my mother too”


“I am the only one you can trust”






I shall not trust him if he ever reappears.


The lollipop is nearly done, my eyes leap for the carpet in the pool.
I wrote this one yesterday at fiction workshop
(directed by Mr Spurgeon Thompson)


Thirteen ways of looking at a silver spoon
I


A silver spoon would dive in a soup bowl


and in reverse dive out loaded


soup would never do the same to its pot.


What hand would mystify


this ritual of prudence?






II


Fast moving hands over a table,


dishes flying,


salads uplifted and surrendered


I never gave my silver spoon to


though everyone else gave theirs in.






III


In times when nothingness was valued,


at wars and major disasters,


Would you have lent me your silver spoon


for a sip of the rain water on the roof?


Or would you bend it for the wish well?






IV


a boy and his father


pee together for sanitation


in their backyard planted with silver spoons






V


a silver spoon was digging


deep-deep-deep until it reached its tail


and died










VI


Death visited me one day


dude, I protracted my silver spoon


She saw her face in the silver cavity distorted


“why the silver one?” I heard as she was being absorbed






VII


Absorbents, disinfectants, pesticides


petrified at the sight of silver spoons,


especially the classic or baroque


– email lost_animations@densey.com with an answer -






VIII


Some pusillanimity is likely


when fighting the knight of silver spoons at nights


Beware! He might cut you in circles






IX


The cycle of life


decoded by the hunter of golden dreams


sadly a cipher again


embargoed by the secret society


of SI.SPO.






X


Venus would feed her children everything


everything with silver spoons


each child had her name on the hollow surface


-except the poor boy-






XI


If you ask me why I bought a silver spoon


I would go about saying that


bending it defies pitiful shows with forks






XII


Roll a silver spoon down Mount Everest


and blame me for the silvery avalanche


pinning you down as you observe






XIII


Admit it mother,


without your silver spoon dancing its tango


your father would be mine







Monday, February 22, 2010

Unite for Mother's Middle Name

Είμαι θυμωμένος.  Πολύ.
http://www.facebook.com/?ref=home#!/profile.php?id=100000838412216
Υποστήριξέ με αν έχεις facebook δηλώνοντας μέλος στο γκρουπ που δημιούργησα.  Αν πραγματικά αγαπάς τη μάνα σου.  Για πάντα.

Saturday, February 13, 2010

Όλοι μαζί για ένα ποίημα / All together for one poem

Αγαπητοί Φίλοι,
Dear Friends,
Ονειρεύτηκα ψες ότι περνούσαν από το μπλογκ φίλοι και έγραφαν στίχους για να κτίσουμε ένα ποίημα.  Σε διάφορες γλώσσες.
Last night I dreamt  that friends were throwing lines in my blog to help create a poem.  In various languages.
Δεν το βρήκα καθόλου άσχημη ιδέα!  Δεν ξέρω αν το έκαναν κι άλλοι, και δεν με νοιάζει, έτσι κι αλλιώς.  Εμείς θα το κάνουμε καλύτερα!
I don't think it's a bad idea at all! Don't know if it has been done  this way before, but I don't care anyway.  We will make it better! 
So drop a line in this post as a comment (please no more than 7 words) and I will compile the poem for you after 15 days.  You may also invite your friends to participate.
Γι' αυτό γράψτε ένα στίχο σε αυτή την ανάρτηση σαν σχόλιο (παρακαλώ όχι περισσότερες από 7 λέξεις) και θα συνθέσω το ποίημα για σας μετά από 15 ημέρες.  Μπορείτε να καλέσετε και τους φίλους σας.
Παρακαλώ αφήνετε και το όνομα σας ή το όνομα του μπλογκ σας (αν έχετε) με το στίχο σας.
Please do leave you name or blog name (if you own one) along with your line.

The name of the poem will be "Jigsaw Βαβελ"
Το όνομα του ποιήματος θα είναι "Jigsaw Βαβελ"

Thursday, February 11, 2010

τυπογραφικό δαιμόνιο!

ΕΚΤΑΚΤΗ ΑΝΑΚΟΙΝΩΣΗ:
ΒΡΕΘΗΚΑΝ ΔΥΟ ΤΥΠΟΓΡΑΦΙΚΑ ΛΑΘΗ ΣΤΟ ΒΙΒΛΙΟ 'Throwing Dice on a Chessboard'
ΠΡΟΣΩΡΙΝΗ ΔΙΑΚΟΠΗ ΠΩΛΗΣΕΩΝ ΑΠΟ ΤΟ ΔΙΑΔΥΚΤΙΟ. 
ΕΥΤΥΧΕΣ ΓΕΓΟΝΟΣ ΟΤΙ ΤΟ ΒΙΒΛΙΟ ΔΕΝ ΕΧΕΙ ΑΚΟΜΗ ΔΙΑΝΕΜΗΘΕΙ ΣΤΑ ΒΙΒΛΙΟΠΩΛΕΙΑ
ΑΠΟΛΟΓΟΥΜΑΣΤΕ ΣΕ ΟΣΟΥς ΑΝΑΓΝΩΣΤΕΣ ΕΧΟΥΝ ΗΔΗ ΑΓΟΡΑΣΕΙ ΤΟ ΒΙΒΛΙΟ.  ΠΑΡΟΛΟ ΤΟΝ ΜΙΚΡΟ ΑΡΙΘΜΟ ΤΥΠΟΓΡΑΦΙΚΩΝ, ΑΝ ΕΠΙΘΥΜΟΥΝ ΟΣΟΙ ΚΑΤΕΧΟΥΝ ΤΟ ΒΙΒΛΙΟ ΜΠΟΡΟΥΝ ΝΑ ΕΠΙΚΟΙΝΩΝΗΣΟΥΝ ΜΕ ΤΟ ΣΥΓΓΡΑΦΕΑ ΣΤΟ chrisma4el@cytanet.com.cy ΓΙΑ ΑΝΤΙΚΑΤΑΣΤΑΣΗ
Τα τυπογραφικά:
σελ. 20: error - still    correct - steal
σελ 57: error - where correct - were

ΑΠΟΛΟΓΟΥΜΑΣΤΕ
ΤΟ ΒΙΒΛΙΟ ΘΑ ΕΠΑΝΑΚΥΚΛΟΦΟΡΗΣΕΙ ΣΕ ΜΙΑ ΕΒΔΟΜΑΔΑ

Tuesday, February 09, 2010


Με χαρά σας ενημερώνουμε ότι έγινε αποδεκτή η προσφορά μας προς τον αντικαρκινικό σύνδεσμο για να δωθεί μέρος των κερδών από την πώληση του βιβλίου "Throwing Dice on a Chessboard" όπως  παρουσιάζεται στην επόμενη ανάρτηση:
για αγορές στην ιστοσελίδα του συγγραφέα
ή στο βιβλιοπωλείο του εκδοτικού οίκου





Throwing Dice on a

Chessboard

(a collection of short stories)

By Christos Rodoulla Tsiailis

7 short stories. 7 humans abused by Fate. Who will

face the ferocious demons within? Will it be the

ingenious girl who constantly suppresses herself

down? The tragic mother in front of her daughter’s

urn? The man who has self-healed from his insanity?

The tragic almost-lovers with an sms waiting to be

read? The dominant triplet who loves the word

‘millenium’? The two hippocampuses freed? Or the

man with a fig tree? 7 short stories. A ‘Carl Jung’

jigsaw puzzle? Sychronicity. And you

Available now from AuthorHouse


Order this title through your local bookseller

or preferred on-line retailer.

978-1-4490-8111-9 (SC ISBN)

Wednesday, February 03, 2010

Νέα Έκδοση - New Edition

Αγαπημένοι μου φίλοι, σας ανακοινώνω με χαρά ότι έχει μόλις σήμερα το απόγευμα εκδοθεί το βιβλίο μου με πεζογραφήματα. Αν ενδιαφέρεστε μπορείτε να το αγοράσετε μέσω διαδικτύου από τώρα, αλλιώς θα πρέπει να περιμένετε κάποιο χρονικό διάστημα μέχρι να γίνουν οι παρουσιάσεις και να διανεμηθεί στα βιβλιοπωλεία σε Ελλάδα και Κύπρο. Πάντως σας διαβεβαιώνω ότι η τιμή του στο διαδίκτυο είναι χαμηλότερη επειδή πωλείται απευθείας από τον εκδότη. Σε άλλες ιστοσελίδες η τιμή θα αρχίσει σιγά-σιγά να ανεβαίνει λόγω μεταπώλησης.




Προς το παρόν πωλείται από τον εκδότη μου στην ακόλουθη διεύθυνση:


http://www.authorhouse.co.uk/Bookstore/ItemDetail.aspx?bookid=65801


(κάντε το λινκ αντιγραφή και επικόλληση στο πάνω μέρος της ιστοσελίδας ή επισκεφτείτε http://www.authorhouse.co.uk/Bookstore/BookHome.aspx tab bookstore και κάντε search με το επώνυμο μου tsiailis)
Παρακαλώ γράψτε και reviews.


Μην αγοράσετε το βιβλίο αν δεν κατέχετε την αγγλική γλώσσα. (εκτός κι αν πρόκειται για δώρο)


Προς το παρόν δεν έχω θέσει στόχο να το μεταφράσω στην Ελληνική.


Σας ευχαριστώ για τη στήριξή σας όλα αυτά τα χρόνια που αποφάσισα να εκθέσω το έργο μου.


Οφείλω να σας ενημερώνω ότι μέρος των κερδών θα δοθεί για φιλανθρωπικούς σκοπούς.










My dear friends, I gladly announce that my short story collection has just been published this afternoon. If you are interested you may buy it via internet as of now, or else you shall have to wait for a period of time until all presentation are accomplished and the distribution to bookshops has been concluded. You may rest assured that the internet price is lower as the book is directly sold by the publisher. In other webpages the price will start rising due to retail costs. For the time being it is sold by my publisher at the following address




http://www.authorhouse.co.uk/Bookstore/ItemDetail.aspx?bookid=65801


(if it does not link you directly just copy the link and paste it on your browser.  Alternatively write http://www.authorhouse.co.uk/Bookstore/BookHome.aspx and under the tab "bookstore" search with my surname tsiailis)
Please write your reviews as well.


Thank you for your support all these years that I have decided to have my work exposed.


I ought to inform you that part of the profit will be offered for charity purposes.

Sunday, January 31, 2010

Novel Fable: Student at the Back Most Desk

A third grade student used to sit at the back desk, alone. As a middle level student all his tests had always been below 16 out of 20. He never hung out with any of the students in his class, regardless their level; the weak students being a bad influence; the exceptional ones making him look worse a student than he thought he really was. Unfortunately for him, no other student in his class was medium level!

One day he asked the teacher if he could sit at a desk nearer the board, distance being the reason he usually failed to participate. His teacher discussed it with the other students, but they all denied exchanging seats with him. Then all in the room except him started talking to each other making noise and laughing. That night insomnia kept him company. The next day, dead tired, he came up with a different excuse: that he couldn’t hear everything she taught, so he preferred to sit further to the front. Her answer was that she would try to speak louder from then on. He did not expect that. Sweat ran over his face and his shoulders. That second night he had terrible nightmares. On the third day he came up with a new idea on how to make it to a desk to the front line. But this time he spoke to his teacher during break, making sure nobody would hear: “Miss, it is hard for me, but I have to say it: in all the tests I see many of my classmates cheating; looking in other students’ tests, or taking very small pieces of paper out of their sleeves; I even saw Herman to whom you usually give 20s, using his mobile to text to who knows whom!” His teacher, puzzled, just uttered “thanks” and she rushed down the stairs. He looked at her in relief and content. That night he had a wonderful dream of himself on the front desk holding a dozen tests marked 20 out of 20, and his fellow students with burnt tests.

On the fourth day at first period, looking at his teacher in anticipation and waiting for the grand announcement, he seemed to be the happiest student in class. Next thing, the school secretary entered and called him to the Principal’s office. With his chest swollen with pride he walked past all the desks and didn’t even throw a mere look to any of the ‘elite’ students. In his office, the Principal watched all the air, litre by litre escaping from his punctured chest as he announced: “Dear Nevy, after you teacher’s enquiry, you are to be transferred to the class of the learning disabled, at a desk nearer the board. It seems you have minor hearing and sight impairments! This, of course, only until the end of the year, when your class will have graduated. We surely hope your new place will help you improve your marks, dear child.” And so Nevy left with his burnt fingers hidden in his pockets, instead. And, head down, he counted 345 square tiles to his new class, including the five inside the door leading to the front most desk.

Envy is the shortest way to your isolation and deprivation.

Thursday, January 21, 2010

The preface inside my book "Throwing Dice On A Chessboard' published by AuthorHouse, London UK


The Sound of Smoke Passing By
The sound of smoke passing by woke me up from a chow chow dream; he whispered weird stories I did not believe into my ear. There is no story that has not yet been told and no grandson who has not laid his head on the lap of an old lady. No moment in the past, the present, or the future that has yet to happen has been forgotten or ignored by the authors of the world.
The sky and the sea, the mountains and the caves have all been explored. The horizon has been reached. Space has been explained, the dimensions and the black holes, quanta and gravity and fear for the seagulls have all been inked on paper somehow. Hawkins has nothing more to think; he gave up. The dirty cities and the noble households, the burnt landscapes and the frozen livers of vain celebrities have all been sniffed by authors. The pythons and the hedgehogs, the tsunamis and the dogs, cheese and the blood of the virgin knight of the Order; all were given a role in a story somehow. Then you try to improvise by asking, did Aesop precede Homer, or was it the egg that changed the route of history? They will not pay attention to you; they will turn their eyes.
The wars and the scattered pieces of the crucified Pisces, the knife and the TNT... everything was made up, veiled and then unwrapped by the writers, and talkers, and the scared cheaters, the few scattered genuine teachers, and the children of the nymphomaniac Zeus, and the offspring of the hookers in Hawaii.
In strictly earthly pragmatics, when all the heroes of all times, including Hector and his lover, in one bed with Medea and Kondoliza, gave birth to Reality; or when everybody lived in a lie of meat, veins, instinct, and faith; in a lie of valley-long snakes and birds and ancient Inca flying balloons. All spoken or written history becomes a myth in the mind of a writer, and in there myth becomes history. No strict boundaries, no red lines to prevent fiction writing from overlapping with reality as the human senses perceive it. Heroes of the past meet with heroes yet to be invented, as above, in the mind of a writer. Always, there is a transparent layer of colourful mist hanging over any simple human tale, put there by devious writers.
And so, with a torn sleeve and a keyboard on which cigarette ash can rest, writers ended up arsonists of recycled material with a blanket over fast burning fires to send fragments of reality to the sky for people to manage any way they wish. Or can.
Now read some more of this sad turnover, and perhaps see the smoke of sounds passing by.

Saturday, January 09, 2010

Uri enters Tsiailisworld


Και εκεί που νόμιζες πως τα είδες όλα...

Friday, January 01, 2010

ΚΑΛΗ ΧΡΟΝΙΑ!

Καλή Χρονιά σε όλους τους αναγνώστες του μπλογκ!

Thursday, December 03, 2009

Wednesday, November 18, 2009

White Night Stones



I
Why do I get so nauseous whenever I find myself in here with my parents, among the most distant relatives that anybody has ever been asked to acknowledge? I’ll tell you why, girl. Because they are so far from your experience that you don’t feel the slightest connection to them at any level. Actually, this place is so unfamiliarly crowded I almost get the sense of floating unevenly on running water, something like having boarded Noah’s ark; oh, but I am no Noah. If I be on this ark, I am probably a small sparrow without a mate, and in the next cage two sparrows are paired and Noah’s wife is coming to catch me uninvited and throw me on the waves to wet my feathers so that I can’t fly back to the craft. As if I wanted to be here in the first place! Nausea, cages, and rings. I don’t know you, Miss, you says you are my second cousin, well, you might as well be.
‘Funny thoughts tonight, eh? One of those nights, girlfriend, let’s see where it will take you this time. World! Fear!’
Here, not in a club with friends having the time of my life or in the field with the fellow fans shouting. Only here, in the tavern where everybody celebrates the love matching after the noble ceremony am I depressed.
Why? I’ll tell you why! Because that’s all we ever do with my parents as back as I can recall! That is how we socialize, as if this is all we are. The Wedding Guests! Nice title for a Hollywood comedy, eh? What do you say? You know, like The Wedding Planner or the My Best Friend’s Wedding. A new movie, it will be about a family who spend their lives visiting weddings, following the catalogue of the guests they had in their wedding, to attend the ceremonies of their own guests’ descendants, until they realize they did not have a purpose in life and stopped. No, too lame for a Hollywood scenario. I should add some murders, or, if it’s gonna be a comedy, I could add an obnoxious daughter.
That would be me.
‘I say, reminiscence, so selective and self-centred.’
Why so much denial? What is it, my parents all over me, or the sight of the couple getting married? The fearsome fictional projection of me onto the elevated stage?
I mean, girls my age’ve got so much to learn before they set their minds onto the target. Mom says, ‘The man who’ll pick you up, girl, from all these candidates in here should not be of the winds. He should be of the land, and, dear, do cut his wings early, before he builds other nests than your own. Always be aware, have scissors in your pocket; new wings grow every three years!’ And as she is saying this, Dad is on the dance floor dancing; he’s just finished talking with his uncles, tables away from ours.
Scissors, every three years? I‘ve never figured out exactly what she means; I mean, she must be using some metaphor, or an old proverb, I don’t know. Whatever the case, every time I start asking, Dad’d just pop out of nowhere, and she would stop, as if they both wanted to hide something.
There he comes, another evening out, questions put off, buddy. I give an answer to the scissor question myself, and I hold onto that.
Dad is of the winds, and Mom holds the scissors. I don’t wanna tell her I know, gonna hurt her or put them in a new fight or something. Keep my heart calm, that is. Mom is a sufferer. Dad must be having crises of infidelity. Perhaps this is typical of man, but it must be brief, temporary in my dad’s case, but reoccurring, too; they are always together despite the fights and the constant flying jabs they tear each other with every disagreement. All their decisions are taken in frenzy, except when it comes to me.
They always know how to talk to me, as if they can see a flaw. Something pitiful on me, so obvious that they only need one tool to remove it, not fix it, to rip it off me!
Hmm, the tool. Hands are tools. Tongues are tools. Soft like Mom’s or a priest’s, rough like Dad’s or an ascending cyclist’s, the bones will break. The tool, the key to my locked heart.
‘A chalice full of holy wine, Mister, you get me drunk, and I will give in!’
Damn, this voice coming and going in my head, how can I make it leave me?
What was I saying? Ah, my parents, yes. They don’t have it, they don’t work together, distant; in such different time and place they try incognito, hiding from each other. One uses the key, another brings the chalice. Another week one talks, the other sleeps, the third just moves a hand, the other turns a whole back with one muscle. Do I run, do I stay?
I know, too, it’s hard to change, to do things, to pull yourself out of the vortex. It’s so obvious what they expect of me to change, but I won’t. I told them, I warned them, they stood back for some time. Today they are coming onto me, aggressive once more; they gradually give me less, when I need even more, but today the wall is too high, the edge is too far to run round and reach them!
Frank always asks why must I ever waste my fresh mind or spend my precious young seasons at such obsessions. Well, I do; I get these thoughts and have fun in and out of this misery. They have the tool. When Lila secretly goes out with her gang saying that it’s only of girls, and then gets caught talking to her boyfriend with messages on her mobile, hell opens! Detentions, beaten by her mother, they even talk to her teachers. And I, I am the good girl and my folks don’t want me to be! They push me to quicksand sweetened with a thousand smashed sugar wedding delights. Boys, sweetly pierce through their eyes and focus on love reflexes? Never!
Don’t say, I see how incredibly marvellously the bride is dressed, my aunt that is, in that ornamented silver silk gown and the mere girth of her waist. She seems so much taller than I remember; hmm, high heels probably. Me in her shoes some day? I don’t know.
Nigel next to her kinda shouts, ‘No other could be here but me,’ so handsome he is in his black tuxedo wear, the black bowtie is a perfect match with his black full back vest. Has he rented it? Has anyone else ever put a dirty scarf in one of those side pockets with the stylish trim? And his matching cummerbund, so little it hides of his superb bum. Dad said, ‘She is gonna get lucky tonight.’ I wonder, how big are Nigel’s wings? Is Cecile really into all this fairytale?
‘My parents are perverted! Help! I really have to go out from here, some fresh air, people, please!’ The words are digging my glued jaws from the inside to escape.
Dad comes strongly. ‘Stay here, love, where, what are you up to this time? Not another run away! It’s dark outside the tavern; home is on the other side of the town! I’m not giving you the key, I know you wanna go home and watch silly action movies. But no! Not another leave-them-alone-here-to-live-their-memory reaction! We are here for you! Can’t you see your mom is sinking into it again?’ Did he actually utter all these in one breath? Wow, how strong these words were, how… enlightened! Dad!
So much defence against me just getting up, I wasn’t expecting, they must’ve been expecting my runaway ever since the moment we congratulated the couple, me not kissing Cecile when she bent downwards, did they see me blinking at the camera limelight? Perhaps they thought I winked to Nigel? Shall I smile to this idea?
‘You should listen to your dad. Can’t you see they are watching us? They have their eye on you from now, girl, from this age, it is not too early for them relatives, they wanna see how you will be later, when you are ready,’ says Mum, and I just wish I were that girl who would smile to them, with that perfectly happy, anticipating grin.
I really wish I had the will to look receptive, to meet their expectations, like other girls I see here. All modestly posing, sitting on their hands under their dresses to look taller and pretty, to pretend interestingly looking at the grown-ups shaking it folklore-wise on the dance floor. I straighten my shoulders before she tells me, and I make my hair before she touches me.
‘Too many people smoke in here, Mum. Can I go out for a while, get some fresh air, please? I’ll walk straight, light as a princess, I promise,’ I tell her, and Dad nods ‘ok’ to her, but not to me.
She has to take the responsibility of releasing me; he is the strict one and he can’t show consent. They know I need no more an answer than that signal. Off I go.
I know they are rightful, my parents that is, but not the others. They are fooled to think I’ve been reserved for their sons.
Let us put a large piece of bread in my jacket pocket. I might find cats and rats to play with.
What is this now? I am sensing one of those strong magnetising eyes on my left side. Shall I pause? Abandon this extraordinary parade I involved myself into to escape my parents’ observation unharmed? Let me turn my neck just half to the left, hand on my waist, the eyes will understand the intentions and give up. Hmm, too womanish, don’t wanna do that if it’s a guy, who knows how he might interpret it. Gotta sink it in my left pocket, just like a boy, how funny! What if I tight my fist in there to create the manly effect, show that I might, one in a million, possibly, have a bulge?
‘Ha! Ha!’
‘That would shock him right!’
‘Him?’
‘Shock who?’
I don’t even know who is staring, dear nature! Who was it that created so much alarm to me? I don’t usually mind their looks! They are flies on my shit!
‘I’ll turn my body full and abruptly, surprise him!’
Table close here, no, everybody has their heads on the dance floor, there? Not, talking indifferently.
Those tables over there between the flowers and the stage? Nothing.
But I still feel it! Everybody’s heads are turned to the dance floor and the couple. The couple! The direction of all the heads so much directs my eyes.
First Nigel, not, he is saluting someone there, now the look is getting more intense. Dare I look at her? Cecile is the only one left. She must be the one of the entire feast staring at me so intensely, even now being kissed by yet another cousin from the long queue congratulating her on her new start.
The queue, the human line like an arrow pointing at me, a rattle tail slapping me.
‘Ouch!’
And the look. Bride eyes. My wonderful aunt staring me in the face so angrily. Such bright eyes! Could this be happiness? Did she notice my weird reactions? Was it a proud look that turned to wild? Is that a grinning now? Approving? No, she must be embarrassed by me posing like that, or perhaps leaving. Aha! Yes, leaving the wedding already, that’s it! She thinks I am bored of the celebrations. Is it an insult to her if I retreat early?
Too late, I’m too close to the exit to change direction and head to the toilets and pretend. I’ll just make things worse, show that I wanted to sneak out and I was caught and I tried to fool her, and she’ll tell my folks, and they’ll be embarrassed in their turn, and everything will turn against me. No case for me.
Here’s the exit, one foot out, she’ll forget all about me tonight, Nigel is a rock of a man, he’ll please her all right, he is gonna drain her brains of all bad memories of the night. Oh, how deeply fulfilled I fell being a bad memory of this night! And then they’ll count the money they’ll have made, do it first if they would not, and selectively they will love everybody that came.
‘Plastic joy, for lifetime, and every three years the scissors, remember, Cecile.’




II
It’s dark outside here, but so clear. I can now breathe. The entrance is half over my head, and everything that happened in there is behind, inside. That’s how I forget, only when people see my back disappear, sneaking out. I don’t have to look to my right and left for car danger. Here in the parking lot no cars are moving; in the middle of a wedding feast in our places nobody dares to come too late or leave too soon. I am guilty as sin.
‘Forgive me Father, for I have sinned.’ I exhale like a stupid girl.
‘What the...’ I bend my head to avoid the flying wedding ribbon hanging from the welcoming flower gate. Some hair is pulled, not much.
‘Hey!’ A detached ribbon probably full of pearl-edged needles is always a threat.
Right, well done, girl, this is exactly what I mean. It’s so much calmer here. The music from the orchestra inside seems so distant. My ears are struggling to get used to silence.
Did I just say, ‘Forgive me, Father’? That last confession two years ago, no! ‘You have to stop the thoughts!’ He was…
‘Oh no!’ Not that again! He was disgusting.
‘No!’ That itching feeling down between my thighs again…
‘Ignore it!’
‘Disgusting!’ But I feel...
‘Not!’
‘Dis-gus-ting.’ No! ‘Forget it!’ The itching…
‘Obnoxious!’ Oh, here’s the word now, this one always holds the agitation down, today it buys me time again.
‘Hands on the bread!’
‘Hey, dudes, is anyone hungry behind there?’
If I throw some on the tree up there, hmm, could there be an owl? Or a scared cat, perhaps? Here it goes!
‘Aha! What was that black shadow flying in the dark that attacked the piece? It can’t have been a moth, too big.’ Let me throw another one.
‘Hey! What are you? Come out, come out, wherever you are!’ ‘Boohoo!’ Nothing.
‘C’mon, girl, you know, no doubt they are bats.’ Frank told me he saw one the other day.
‘Hmm, play time!’
Here’s another one, and another piece, and here’s some more. Oh! They are plenty hiding back there!
‘Awesome!’
‘Hey little fellows, show yourselves!’
But how can they see the small white bread balls up there? Each one I throw goes much higher than the light line I can see as the windows of the tavern illuminate only three metres higher than my head. Sometimes one or two bats dive lower, but they manoeuvre so fast I find it impossible to believe they just use their eyesight. No matter how accurate that can be. They are cute, seducing, so different, these creatures. They are no birds. Frank says they are mammals. Like us! They don’t give birth to eggs, they have a womb! Do they grow tits like I did? Let us check.
‘Hey, bride, here’s a bread ball for you. I’m not gonna throw it high; come closer, hey, you are too fast!’
I wonder, can creatures like these be faster thinkers than human? No wonder so much myth and terror surrounds them. I bet bats up there in the Transylvanian castles must be huge. And even if they are not, I imagine peasants are terrified big time to watch them attack flying objects so aggressively, so terrified that they think they are evil spirits, undead, unborn, and insatiable.
Do kids my age throw any food up for them? Or do they throw it against them? Stones, perhaps, I bet they throw stones to torture them, break their teeth to smash their deep fear.
Stones! Now there’s a good idea! I haven’t thought of the bread smell! What if the bats have smelled the starch so far, along with seeing it? I’ll throw some white stones to see if they spot them the same without smell.
Here goes one nice, small, white stone.
Iiiitchtch.
Oh! She’s hit it, but the terrible crack that came out from the bite and the screeching scream she left out flying away gave me a hell of goose spasms! Heavens, that bat must have cursed me big time! I bet it smelled my scent on the stone! Tonight they are all gonna come and suck my blood, drain me!
‘help!’ the word has finally dug through the glue sealing my lips around my jaws and now it is all out!
‘I hope nobody heard, I can’t explain all this stupidity!’ The fun in there is at zenith; nobody has heard.
‘Don’t worry, child, once we conclude the confession, all your sins shall be forgiven.’
Oh, go off you bloody words, you stupid tranquilizer! Why do I hear the priest’s voice in my head? Gotta get the black loose clothes like flexible wings of hatred out of my system!
I ran that day; I ran far, I didn’t conclude the confession! The bastard went and told my parents but he didn’t say where his hand was!
‘I say, selective narration, so full of deceit!’
Behind Dad’s shoulders as he was telling him, he looked at me with flaming eyes, the asshole, and I felt so small and powerless.
‘You feared, you fool!’
Oh, off you go, you stupid thoughts! I have business to run now, it’s a new discovery, I know, I feel it.
No bats are coming tonight, unsubstantiated fear, nobody is coming tonight for my blood, I don’t need God everywhere!
‘You hear me? You let me and I let You! I won’t go about talking against You and Your workers anymore, if You take the memories of that beast who still serves You away from me! Away from me! You know what? My friends don’t go to confession anymore, I told them, do – you – hear?’
Hey, I says, the bat just before, spotted the stone it did! Without smell! Really, can white be seen in the dark? Let me throw another white, higher this time, deep in the dark. See if they still attack; see if white can show in dark.
No, I can’t see the stone!
Iiiitchtch.
There goes that awful sound again! It hit it! But how could it see the stone in absolute darkness? No moon tonight, the sky has been cloudy for hours, I don’t see any stars. The white stone couldn’t have been seen, it’s not emitting its own light, it’s hetero-illuminant, just as the moon is, but there’s no light in this parking lot to be reflected by the stone! Let me take it a bit further.
I’ll throw a black stone. A very small one. I’ll take it with my fingers covered under my sleeve; my smell must not go onto it if the experiment is going to work. Gonna throw it high, very high, and make no noise; only move I’ll make is move my hand and stand still looking up; see if the bats still attack.
‘Now!’
This stone has flown vertically upwards, faster than before. Killers! Killers from hell! I heard it!
Iiiitchtch.
Another, lower pitched shriek; it must have been an old, bigger bat, perhaps their mother! I hit the spot! It saw the stone and...
‘No, no, no!’ Impossible, it can’t have seen the small, black, scentless stone! Even I lost sight of it up there.
‘Im-po-ssi-ble!’
There must be something else! And if I don’t accept the existence of a spiritual world and I have no knowledge of, therefore, no theory for extra-terrestrial life, then I have to proceed with strictly scientific calculations. What did I just say? Can someone tell me why I ever start these funny thoughts, sounding so formal for my age, so severely sovereign when I should be in there dancing with my cousins?
Why, indeed. And when you have an answer, please also tell me why I always turn my angry voice to a superior creature and spend breath talking to Him, and why does a capital H caress my forehead like I am reading an autocue just before I curse and then call His name and then remember to tell myself, ‘But you don’t believe, stop calling Him God!’ And the H is always there, haunting the noble and humble personal pronouns of our kin. This fictional world of spirits, it is buried so deep inside me, I need to find another pair of scissors to cut it off. Dear Frank, dear Mom, Dad, I will come out of the closet, I will.




III
‘Hey!’ I feel the look behind me again, the same like before when Cecile was staring at me or something, I dunno. But from the opposite side, up high, from among the dark tops of the eucalyptus trees. How strange was that look from Cecile! Like it wasn’t a look; it was as if she was sending sonar beeps on my back, like dolphins do. Frank told me about them and their sonar, but I’m no fish! She can swim her life underwater as much as she likes for all I care, but not I.
‘And Cecile, remember, the scissors, every three years. Dive as deep as you like, he will still fly.’
Sonar? Where did this thought come from now? Does it mean something? Is it one of those messages that come to make you start your thoughts right from the start? Sent by dear godmother?
‘Sonar?’
‘Yep, sonar it is then.’
A wild thought has just crossed my mind. What if that’s what bats do in absolute darkness? Send sonar beeps to all directions? But how do they conclude the position of the object so fast? Why don’t they bump on walls or branches? Dolphins send sonar sounds to the sonar receivers of the other dolphins! Frank also told me that whales do that too! But bats, if they use such an organ, which I assume is not impossible, must have a way to get the sonar beeps back, perhaps through those extra-extra large ears, disproportional to their tiny bodies and heads, just as their wings are. And if they can do that, then it is probable that the reflected sounds draw maps of the environment in front of them! Yeah, it all sounds so logical! Could this be the way they avoid flat surfaces? Perhaps that is also why they can attack so terribly fast anything small that is flying; they do it mechanically and instinctively. But enough with all this scientific stuff.
Let us have some fun, too! If I might just tie the ribbon from the gate on this fat oval stone, will they still attack? There, one knot, a second one to secure it. Hmm, why don’t I make a bow with the two edges to make it look like a wedding treat? Success! There you have it! A treat for my flying friends! There you go, sweet stone, fly to them!
Iiiitchtch.
Iiiitchtch.
Wow, this was louder screech, and longer! I think it was a double one, too! Two bats attacking on the same target? Wow, this is deep!
Sonar? Beeps? Hmm, I just can’t get these calculations out of my head; they are haunting me right now as I am playing!
‘Off you go, alien thoughts, I can’t answer you, don’t ask me anymore!’
But then again, it is truly amazing; the stones were moving too fast, they were too small, and absolutely invisible at the height the bats were attacking. How accurate can that sonar be? Dunno, but if they can send hundreds of beeps in a second, that could be fast enough for anything.
‘Couldn’t it?’ Who am I asking?
‘Stop it, girl, thou art deceived!’
All this game I played with the bats cannot be trustworthy.
‘Facts have not been proven, data is insufficient! You ain’t no scientist!’
Frank would have known, he would have bragged of such an outrageous piece of knowledge! And he would have told me! But he never did! So all that can be happening is that he doesn’t know, or that I made an important discovery! Or, that I am totally wrong and the bats were squealing to warn the others of possible danger. They might have thought that I am attacking them! Who knows, perhaps they were watching me throwing the stones! How silly of me to have made all those scenarios for nothing!
Frank knows everything. No, I am wrong. Nobody can reach a scientific conclusion so stupidly, throwing stones at night outside a wedding feast.
More likely to be right to the point where I will never be, me, a stupid girl, are the Transylvanian peasants! These creatures are little devils with sharp teeth!
‘Oh no, dear bats, apologies, accept them, you are so amusing, so unique, it was just a thought, they shouldn’t fear you for drinking some blood! I mean, mosquitoes really attack us on the open, but nobody creates myths around them!’
‘Bloody myths! What myths! Now, girl, you know the speed of darkness? Remember, you have just witnessed the attack!’
The bats, little geniuses, like black brides attacking on beige and black wedding costumes and wedding delights, smelly or not; they attack them all. Then they eat them or reject them, screaming all the way, sending their magic beeps, scissors on their membrane hands, life is like that.
Frank will never understand.
I’ll just go back inside, sit, on my hands that is, and look un-clever to my parents, look pretty,
‘Fancy some little girl blood?’ Only three years to eighteen, patience, girl, you know your life has changed already.






Friday, November 06, 2009

πρόσω ολοταχώς για το σκότωμα.

αυτή τη στιγμή που διαβάζετε τη λογοτεχνία μου, εγώ εναγωνίως περιμένω τις 9:00 το πρωί της Κυριακής, την ώρα που θα ξεκινήσει ο Μαραθώνιος της Αθήνας. Είμαι κλεισμένος στο δωμάτιό μου στο ξενοδοχείο με τα πόδια ψηλά στον τοίχο για να ξεκουράζονται και να κυλήσει το λεμφαδενικό υγρό, αλλά το υγρό του άγχους με κατακλύζει. Ο χειρότερός μου εχθρός. Όλοι οι μυς μου έτοιμοι, οι σύνδεσμοι κρατάνε καλά, η καρδιά μου μια εβδομάδα τώρα ξεκουράζεται, κτυπάει σε ρυθμό μαραθωνίου. 42 χιλιόμετρα. Τίποτα. Το έκανα και πέρυσι. Εύκολο. Όλα μου φωνάζουν να ηρεμήσω. Αλλά το άγχος εκεί, 5 κτύπους πιο δυνατά η καρδιά μου από το συνηθισμένο μου. Δεν είμαι στους 45 χτύπους ανά λεπτό, είμαι στους 50. Αναπνέω από τη μύτη. Το οξυγόνο καθώς μετατρέπεται σε διοξέιδιο με ηρεμεί για λίγο. Εκπνέω και ζαλίζομαι γλυκά. Λιγότερο τώρα το άγχος. Την ευχή σας να το κρατήσω χαμηλά, για ακόμα 40 ώρες. Την ευχή σας.
Για όλους μας τους μπλοκοφίλους θα τρέξω. Για να γεννήσω κι άλλες ιδέες, να γράψω κι άλλες μικρομαλακίες να έχουμε να συζητάμε.
Την ευχή σας. Εγώ είμαι ήδη πρόσω ολοταχώς για το σκότωμα του εφιάλτη.
Θα σας γράψω και την ιστορία που θα γεννήσω καθώς θα τρέχω Κυριακή πρωί. 42 χιλιόμετρα, Μαραθώνας - Αθήνα.
Την ευχή σας.

Horizontally Schizoid


Three months in the clinic, one should be ready. I look down on you, one more escapade, to go down on you, and sharpen the blade.
[I did not know my nails would have grown so strong].
I grab you -both hands- to feel the skin and fatty, pillow-like juice. I shake you and I pull you out -you nasty rubber- you pull back in. How much bigger can you get? I inhale too deeply for my strength -anymore- and push the air to swell you, happy moments for my kids, indeed. Magnificent, so many years’ confusion. I do not know how the struggles have gotten me here, the struggles of too little food, or the struggles of too many a food.
The fool inside you, is he still there? Memory of a lifetime gulping, shame, retreat. I soothe the grabbing, squeeze a strange spot in a wrinkle and cuddle the umbilical cord.
[I did not know my nails could have grown so big]
I am so sorry to start squeezing you, tummy, all over again. Does my dance stumble -on stone abdominals, on bones, on very full guts?- do not ask me,
[you should know better]
Why don’t you have a mouth on your own? Well, I guess I won’t stand in front of the wall mirror this time, I’ll just grasp the hand one not to feel you mine just as once. Get a mirror on your own, so many actions you do take despite me.
I am so sorry; a tearing would never have crossed my mind -not uncontrolled-
But look at you, (my soul is flying already) smiling at last, silent all these years, so many years struggle I, idle you. Now check your own mirror idol, that two nipples have no eyebrows but do a sight a umbilical nose, check, I say, your bloody grin will soon be hungry, hasn’t it been so all these years of discussion? Shall I run out to show the evil nurses that I, too, have two faces anymore?

Tuesday, November 03, 2009

Hi, I’m Stephan; I'm a Triplet Child


All I wanted to say that evening was a goodnight and then doze off alone. I did not want George to bother me with the history test. I looked at the scratched door with the posters, some of them mine, some George’s. Locked. He was studying.
“2005”, Miss Nana said this morning, and “5 years into the millennium”. I remember the first time I heard mom say “millennium” when I was five; it had become my favourite word. Would it make a meaning to them if I told them I liked this word? I don’t think so. So I didn’t.
The history test tomorrow morning. Oh, how hard a thought this is to deal with, how much I want to forget! But it’s a test, and tests are for children what hurricanes are for tropical islands, whipping out, washing away vivid matter, yet bringing new water for new blossoms. But I am no tropical island; I don’t want to be caught in the trap of excellence George has fallen into. Today the teacher has distinguished story from history. She pinned me down to my chair when she uttered millennium, but she did not get into that. She just started telling us why people write history, why they write books, why they even bother think in a linear sequence of events, and there I lost her.
“Mom, at least tonight let me sleep in Helen’s room, alone, and put her in my bed. George will be studying for the test until after 11:00 and I am tired. Really tired! Will you?”
“Stephan, you know girls don’t sleep with the boys, and why should Helen lose her sleep and not you?”
“Because she sleeps as soon as she lies in bed! Al-wa-ys!” I said and then the first gasp blocked my voice. Mum must have realized that I would start crying again and being grouchy about it. And then she started once more, like all previous cold in-house nights, outside brilliant weather. She went into her odd delirium of shouting and screaming cut-off words and orders.
“TO YOUR ROOM! NOW! I SAID IT!”
And then
“YOU ARE THE ONLY ONE OF THE THREE THAT IS GOING TO DRIVE ME CRAZY! What have I done to deserve this?”
And she looks at me with flaming eyes, I wonder, has she even thought for a second how much she might be disturbing the order in the house, Helen reading on the couch, dad watching TV, George reading at the back, and outside, the bats hunting, owls crying, rats coming out. The order I so much crave to remain as it is.
I looked at Helen as she was sitting on the couch with the eyes of an owl and the ears of an elephant. I thought it was really funny. She dropped her book when she met my look. Oh, the satisfaction I felt at that particular moment. The air I got into my lungs, the blood my heart sent to my throat and then to my eyes. The heat, the heat of hatred started burning my arms and I was ready to go and tear her book apart, page by page and the each page in three and four pieces, and throw the paper massacre in the fire place like a French King or a Nazi, and then grasp Helen and shake her, and tell her, “sis, history is all bullshit, they lie to us, I know cause aunt Chris told me!”
Aunt Chris told me. She is the only one I can trust now. I used to say my secrets to George, too, the prick! He always tells Helen, and then she goes about telling mum, because they are supposed to be “best friends”, and then Mum discusses it with dad, because it’s “serious”. And there when you least expect it, grandma comes and asks me about Josephine and why I kissed her.
Josephine. She didn’t come today, she didn’t hear about the history thing, and she doesn’t know we are having a test. God, it was so foolish of me, taking things in my hands, deciding she should not take the test. I don’t want to study, either; I don’t want to have the test. I am not a tropical island, Josephine isn’t, either, she is a continent she is.
Truth is I forgot to call her and tell her. Jesus, how could I ever forget? Miss Nana told me to make sure I told her, but how would I remember, if all day today was spent with Stelios and Markos on their computer?
And mum, she thought I was studying there, I didn’t even take my books with me! Oh, mum, how did I fool you so easily? You are such an easy… oh, I don’t even know what I could call you, mum. You are not here. You are standing right in front of me, hands on your waste, looking at me and Helen, I am sure you are wondering why and how we got to this point to have to shout to get me to do anything, every single day. I’ll tell you why, mum. It’s because you shout to all of us with every little thing that happens.
And you know how we take it? We are not the same, even if we are triplets, I could say that again. Helen gets scared and freezes, George is the “sensitive boy” who hides his head among the pillows to cry, yet being twice as scared, and I feel ever emptier and more disgusted every time she starts shouting to any of us. And I show it. My eyes icebergs, my body a dead volcano, no lava inside me, all my blood underground, there where I hide all my feelings to her. Because I can’t tell anymore what she considers wrong and what right, she has me totally confused in whatever our house rules are.
Do I get to clean if I dirty something? Not dirty anything? How? She dirties when she eats, dad dirties when he goes out to water and do some gardening, and grandma dirties when she prepares her bread and pies and everything. Why are we the only ones to get all that shouting when we come back inside with dirty shoes? Or when we forget a toy or a sock under the couch? Aren’t we supposed to behave like that? Where is your “HISTORY” in all this confusion, mom? Where is your “linear sequence of events”? I drop pieces of my bread on the couch, and before I even start getting up to go get the small electric sweeper, you shout me off and so you shut me off and I don’t know what to do. So I do nothing and I look at you with the wet eyes of hatred and anger, but never with the tears of fear! Ne-ver!
But then again George, poor bro, if he runs out in his socks, and you catch him with the corner of your eye, oh my! The pitch your voice can reach!!! That day when he tried to abruptly stop running in the veranda as you called hip-hop back to him furiously, the way you did, and his socks slipped on the marble and he faced the wooden rack ceiling as he landed half-back on the coffee table, oh, how I laughed that day!
And Helen, she is half like me and half like George, I think. She gets tears in her eyes, too, and I know her worst is when she has to do house chores and she messes up, the idiot she is. So much for the owl eyes she gives, it’s more like she is trying to get more images inside, least she understands; comprehends anything of what is happening to us.
You know, mum, things are happening to us, in linear order, and there is an end at a point in time and history is recorded. I peed in my bed while sleeping for the last time two years ago but you still say it to just about everybody who pays a visit, and you smile cutely, and you look at me, and then you turn to George, and proudly say “oh, what a perfect boy George is, he’s never peed in his bed, even when they were two, he was the first who sat on the toilet to… pardon, ha ha ha” and she laughs like mad, like a goblin from the forest nearby. In your face, mum, practically putting me and Helen down on our knees whenever it comes to achievements! Teacher says we all achieve! I achieve, dad achieves, and what a nice word to call a thing I was forced to do! To achieve in a history test.
I’m gonna knock on his door, now. Let mum think that all is well. I must say it in a low voice, “hey, George, open up, I have something to suggest. Are you in there?” I turn the key, slowly, and I enter. Oh, why did I not I see it coming? He is asleep, I mean, a book on a face is sitting and a forehead is reading in darkness, and a boy is counting sheep, and I am a poet for children! For retarded children, I mean! Aha! History has its ways to be written! I was planning to ask George not to write anything in the test tomorrow, but luck brought it forth that he has not studied anyway. But just in case he learnt even half of the three chapters, I will ask him anyway. So, here I go, hands, shake him, luck come forth, winds blow!
“Hey, George, wake up, it’s important, wake up!”
He pushes the book from his head and he drops it on the carpet. Terrified he almost falls from bed to catch it, but he misses the page he was at anyway. And he says, “what do you want, Stephan? I am reading!” I laugh and he knows why, he knows I know he is not perfect, he knows I can tell he can’t afford mum telling him the things she says to me and to Helen. Oh, how I know he hates the thought of not being The One for them, just because he is not the first-born! shmolensky brizauskas, and when I start mumbling my false Russian I know I hate him the most, when I remember that he was born two minutes after me, and he breathed the air second, well, I don’t mind that he cried first, that’s fine, but the doctor’s and the nurses’ hands where dirtied with my blood when they brought him into light, and now he is cursed by me to be second and under, but he always makes his way in school and teachers don’t know of first-borns and they don’t treat me as they should!.
“Millenium”, Stephan, come back to your senses, “achieve”, Stephan, you have a plan, here,” Josephine”, oh, we must rescue Josephine, Markos’s computer was very specific! Hey, Napoleon, where’s your bride? Oh, get off with these stupid thoughts already! Ok, Ok, I am back, and ready. I will work with him.
“George, how much of the test chapters have you covered? I’m telling you from now I read nothing/” He rushes to answer before I finish my sentence, “Not this time, Steph, I’m not gonna let you copy from me tomorrow, you know how strict Miss Nana is, please, don’t ask me. And you know what? You didn’t even ask me to come with you to Markos’s place!”
“B-But I, you were studying in our room, remember? You even told me to turn the TV volume at lunch, ‘cause you needed to relax and start studying!” he mumbles in anticipation, but I get no answer.
“---“
Around his silence I get my chance to start getting where I want to. “Listen, let’s not start this conversation. You are right, I should have invited you, and, yes, cheating tomorrow won’t get me anywhere. But I really, honestly, desperately, to our brothers’ oath, to the honour of the triplets, need a favour.”
“Then bring Helen here, if you are calling our oath, or don’t tell me at all!” he tells me in anger.
He is right; I admit to myself he is damn right, how can I call our oath if she is not here? Is she still on the sofa, fighting her dyslexia, as I overheard dad secretly call her weakness one day when aunt Chris was here? Don’t they know she pretends she knows nothing? That she is so lazy to study that she found the easy-way out, being called ä weak student”? Is she there selling her fairytale, that she can’t learn history, with one eye in the book, the other watching a movie with her happy daddy? Or did she go to her room? Let us check, noiselessly, I don’t want mum to smell the fishy triplets floating.
“Ok, George, stay here and I go get her. But you don’t have to study anything anymore.” Saying that I have already turned my back to him and started for the door. He has no words again.
“---“
How unsuspecting he can be sometimes, I called the oath! He should have realized by now! I mean, he knows Josephine was absent. But then again, we haven’t met today, at all; he doesn’t know I haven’t called her. I’ll tell him.
I turn to him again to say “Before I go get Helen, I should let you know I forgot to call Josephine about the test.”
“You idiot! You opened a grave for yourself but you are burying her! The only girl you ever kissed in your life!”
“Oh, give us a kiss and drop dead” I say ironically and I take one step towards him, red again, blood boiling, but a little alarm inside me stops me and sets to wise mode again. He was ready to hit back, anyway, so I most probably saved the day by not doing anything. I am out of the room.
In a low, but not guilty voice, hem, like a shepherd to his sheep-dog, again I enter the living room saying loud enough for mum to hear: “Helen, come, George told me to go and test him orally for the test tomorrow until we are ready to sleep. You should be there, too. It will help you review what you’ve learnt already, and learn some more. Isn’t that right, mum?” Mum looks at dad, and then dad looks at Helen, and Helen looks at mum, and then at me. She looked at me suspiciously, did I sound unconvincing? Or, too “nice”?
“No” Helen utters in a half voice and then she says it again louder, with more confidence. Mum asks her why she does not want to go and study with her brothers and she replies that “something doesn’t feel right”.
“I think they are cooking something, mum. Dad, you say it, they’ve never asked me before to study with them, what are they up to?” I hear her say and I must improvise, once again.
“No, Helen, come, it’s all right, I thought about it again, the test tomorrow, let’s all do well, it’s better for all of us, and you know what? Why should George get all the credit again? We can achieve anything if we want to, mind you; I am calling the Triplet’s Oath! You should come.”
As I turn to the corridor, I hear her get down the couch smoothly, I turn back smiling and I see her delicately closing her book to page 5 or 6, so much with the reading she did.
“Come, I say, he is waiting” I say to her and she responds with a fast motion of her knees to the front, she seems to now really want to go for it.
We both entered and the door closed behind us. Everything else stayed outside that night.

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